Family in town so we’re doing the right things. Today was the big museum with the pyramid and the lady from the DaVinci Code novel. She is there. I know because I’m tall and my camera is bigger than most.
This is some really athletic art appreciation, something like a rugby scrum. I know nothing about rugby but I imagine it takes strength, determination and some sharp elbows to work your way through the scrummy thing, which is exactly what’s needed to get to see the lady in question. But all I really need is to get close enough to get a picture, so I’ll always have the memory.
I used to think people took pictures of pictures to have the memory and avoid the gift shop, but here’s the thing: It’s not the art, it’s the experience. Been there, done that, got the t-shirt.
Paris ☑Louvre ☑What’s her name ☑
Don’t worry. I’m not going to get all snobby about this, wonder why people do it, and then blame Facebook. Not me. I live in the real world and I’d rather blame Facebook for much bigger crimes.
I see nothing wrong with people taking pictures of art. I’m glad they do it. Glad they support the museums with their tickets and glad the museums have wised up and allow it. I’m not sure what people take from the experience, but it certainly can’t hurt.
All those years in San Francisco, I forgot about the weather. In winter it rains, except when it doesn’t and, twice a year—spring and fall—there’s a heat wave. Good lord, it’s 900, who can live like this? But the fog returns after a few days in hiding and we’re back to normal 60 and freezing tourists buying sweatshirts at Fisherman’s Wharf.
Then I moved to France and suddenly Weather became the most used app on my phone. In Maury it was 1000 before summer even started and I was miserable for the next six months. I’d check the forecast and raise a glass to days when it wouldn’t rise above 90. I’d look longingly at long pants, sweaters, and people huddled under blankets at Giants’ games. So I moved to Paris and the rains came in Biblical volume, flooding the Seine, and showing no sign of retreat—until it got cold and, of course, the snow arrived. Funny how that works.
I grew up in New York and went to college in Maine, so I’m no stranger to winter, but all those California years stripped away the insulation and left me with a thin skin and chilly bones. Or maybe that was just the years and California had nothing to do with it. “Buck up,” you say. “Get a grip, buy a hot water bottle, wear your socks to bed, and, please, stop your whinging.”
Good advice. Thanks. After all, I came to France for the challenge of something new, and Paris is beautiful in the snow. Enjoy.
I can’t walk two blocks in this city without stumbling into someone’s photo- op.
Paris hasn’t changed very much. Armed soldiers on guard at major monuments but no one seems to be paying much attention to them. Parisians go about their daily business and populate the cafes after work as they always have. The crowds seem younger but that’s probably just my aging perspective.
I’ve been looking at the ads in the windows of realty offices and while it’s hard to tell much about what’s really available, it appears that rents are just a little more than half as much as San Francisco apartments. I saw what looked like a lovely large studio on the Rue Jacob in the 6th for €1250 per month. If such places truly exist, I’ll seriously look at moving here. Always loved it, always felt at home here. Carried that a little too far yesterday when I gave some tourists very iffy directions to the Pompidou Center in my best French accent. They may have found it by now.
A few noticeable changes: there seems to be an alarming proliferation of bagel shops, and it appears Prius taxis now outnumber Mercedes. I haven’t found a connection yet, my investigation hindered by a preference for baguettes and the Metro, but I will continue independent observation and check in with David Lebovitz on the matter.
I take this picture every time I come to Paris. From the same spot on the Pont des Arts, different hours of the day, different times of the year. It always pleases me but always seems to lack a special quality of light that define the best images of Paris. Henri Cartier-Bresson has a version that’s really special. I’ll keep trying.
A busy day at the Palais Royal, one of my favorite places in this lovely and still livable city.
Originally the home of Cardinal Richelieu, it housed royalty until the revolution, and many notables since, including Colette and Cocteau (not in the same apartment).
There are two distinct sections enclosed by offices, the Comedie Francaise, and apartments. The beautiful gardens, bursting with spring, bring out office workers, students, and box lunches. An art installation called Les Confidents by Michel Goulet with Francois Massut consists of linked chairs with fragments of poetry carved into their backs, adding art to lunch.
In the Cour d’Honneur is a site-specific artwork by Daniel Buren called Les Deux Plateaux which is a favorite location for tourists, fashion photo students, and me.
A beautiful day for a walk turned out to be a beautiful day for wedding photos. That wasn’t part of the original plan but how could I know? We must take advantage of the gifts that come our way. I was walking to the Metro at Hotel de Ville when I encountered the first couple of the day in the little park behind Notre Dame.
They moved on, and soon disappeared into the crowd around the cathedral, but I had the theme for the day.
I took the Metro to Pyrénées, planning to explore the Belleville neighborhood, which is showing some obvious signs of gentrification: lots of stroller-pushing young couples and artisan chocolate shops. Are all cities evolving in the same way?
I walked on to the Parc des Buttes-Chaumont, a beautiful place I’d never been before, with mountains, lakes, bridges, and autumn color, all in the midst of Paris. There are even places where it seems to be acceptable to sit on the grass, a rarity in Paris parks.
Came upon my second couple on a bridge over the lake. The groom is present but he knows his place.
The third group was the best: this was the real deal, a wedding, not just a photo call and suddenly, I was the photographer. I stopped to watch, I had a camera that doesn’t make phone calls, I smiled, they asked, I used their camera, and shot one more for me.
Encountered couple number two again in a different location as the light was fading.
Shooting weddings is hard work. I earned a glass and a petit repose at a café along the Canal St. Martin.