Orwell’s Roses

I’ve been reading Rebecca Solnit’s Orwell’s Roses, a book about the importance of beauty in our lives. In 1936—before leaving England to join the battle against fascism in Spain—George Orwell planted roses in his garden. It seems at first to be an unremarkable occurrence; after all roses were and continue to be extremely popular plantings in ornamental gardens and the English have always been fond of gardens. But Orwell was a man who dedicated his life to the struggle for human rights and was willing to put his beliefs on the line as a soldier for the POUM, one of many factions who took up arms against Franco’s forces of repression. Solnit uses Orwell’s garden as a metaphor for the human need of beauty, especially in perilous times when the battle against totalitarianism is pitched.

Do I hear an echo of today’s headlines?
Putin, Xi, Bolsonaro, Orban, Duterte, Trump. The world is once again faced with the rise of dictators and wanna-bes.

Hotel Des Bains, rue Delambre

In 1936, Spanish Fascists backed by Nazi Germany and Italy, staged a dress rehearsal for World War II with a violent overthrow of the elected Republican government of Spain. Republicans expected the west—France, Great Britain, United States—to come to their aid, reasoning that surely these democracies would recognize the need to oppose Hitler. It didn’t happen. Roosevelt’s isolationist policies, Chamberlain’s belief that Hitler could be appeased, Leon Blum’s brief tenure as French president, contributed to keep the west sidelined. Franco’s professional military and Hitler’s arms destroyed the fractious defenders whose anarchists, Stalinists, and Trotskyites wound up fighting among themselves in the pursuit of ideological purity. Wounded and disillusioned, Orwell returned to his English garden.

Magnolia

The Retirada began. At least 500,000 Republican survivors trekked across the Pyrenees, expecting to be hailed as heroes in France. Instead, the French imprisoned them in relocation camps, another WWII dress rehearsal, this time for the Vichy government’s treatment of Jews.
In 1936,George Orwell planted roses.
In 1939, Pablo Casals went to the internment camp at Argelès, France and played Bach’s Suites for Unaccompanied Cello for the hungry, displaced inmates.
Last night, I went to the Théâtre des Bouffes du Nord to hear Sonia Wieder-Atherton play the same music while Charlotte Rampling recited a number of Shakespeare’s sonnets.
Ms. Wieder-Atherton is an extraordinary musician. Ms. Rampling is, of course, a marvelous actress. Bach. Shakespeare. Magic. Seventy minutes of beauty that banished the fears and nightmares of the world outside.

Théâtre des Bouffes du Nord

©2022 Ron Scherl

Blame it on the Stones

Mick and Keith
  1. Brown Sugar
  2. Bitch
  3. Rocks Off
  4. Gimme Shelter
  5. Happy
  6. Tumbling Dice
  7. Love in Vain (Robert Johnson cover)
  8. Sweet Virginia
  9. You Can’t Always Get What You Want
  10. All Down the Line
  11. Midnight Rambler
  12. Bye Bye Johnny (Chuck Berry cover)
  13. Rip This Joint
  14. Jumpin’ Jack Flash
  15. Street Fighting Man
  16. Encore:
  17. Let It Rock

I’ve always thought that my hearing loss was due to three nights of Rolling Stones Concerts at Winterland in 1972. Here’s the set list according to setlist.fm. Who knew there was such a thing. If it weren’t for Facebook, the internet would be a wonderful thing.

A great night of music.

Jagger


I was working for a small ambitious publication called The Night Times. My friend, Joel Selvin was the editor. We met when we were copyboys at the Chronicle: Joel went on to a music column for the Chron and several well-received books on the music business. I went on to San Francisco Opera and a freelance photography business centered on the performing arts that lasted to Y2K (another blast from the past).
I now live in Paris (France) and am looking for a good deal on hearing aids. Blame it on the Stones. No really. Three nights in front of mountainous speakers, my ears were ringing for a week and my hearing has never been the same.
I shrugged it off for a long time, Sir Mick, but now it’s getting serious. I’m having a very difficult time understanding the French. This puzzles me, Keith. I should be better than this. I’ve worked hard, studied for a long time, spent lots of time here and have lived here for the last three years.
So I began to investigate hearing aids, actually, I started that a long time ago but lost the one I had, so the search began anew. Today, I had a hearing test that asked me to repeat recorded words and it quickly became apparent that I was mishearing many sounds. When an “S” sounds like “F”, it becomes very difficult to learn a language. I’ve lost all the edges. Everything in the upper register sounds like it’s wrapped in an Arctic parka. Sounds on the lower end simply don’t penetrate.
I’m not really blaming you, Charlie. I didn’t have to stand there, although if my paper had a little more clout, I might have been onstage next to Jim Marshall, but Jimmy’s dead and I’m still here so it’s hard to say that would have been better. Of course, I was never as aggressive as Jim so I probably wouldn’t have been there anyway, but let’s not sweat the details, Bill.
It’s late, Ronnie. I’m going to bed. I’ll finish this tomorrow.

There’s really not much more to say. I’m sure you guys were worried about me, but really it’s not a problem. It’s only rock ‘n roll.

Gypsy Jazz

La Chope des Puces translates as a “Jar of Fleas”, the jar usually referring to a mug for serving beer, but on this Saturday afternoon the drinks of choice were Champagne and Scotch and Coke. La Chope is a bar, restaurant, lutherie (factory of string instruments), and a school of jazz manouche, but most of all it is a temple to Django Reinhardt, the great French Gypsy guitarist who lived nearby.

Ninine Garcia

Located on the rue des Rosiers in Saint Ouen, adjacent to the Porte de Clignancourt Marché aux Puces, la Chope comes alive every weekend with the music of jazz manouche led by Ninine Garcia, head of Paris’ first family of gypsy jazz. Seated beneath a portrait of his late father, Mondine, and a glass case of honored guitars, Ninine and his son, Roky host a family party every week, playing guitar all afternoon along with friends and family.

The Kid Sits In

Marcel Campion, the Proprietor of La Chope

Everyone seems to know everyone and many are, in fact, related but I can say with the confidence of experience that strangers are more than welcome. When one of the guests, a man named Samuel, raised his glass to me and said: “L’Chaim”, I thought I was at a Bar Mitzvah, and when the Garcias played Hava Nagila I was sure of it. Although there wasn’t enough room for a hora, and no one was carried aloft in her chair, the vibe was exactly the same. I had landed in a French Gypsy affair.

Annie Dancing

A little while later, fresh glass in hand, I returned the compliment, toasting Samuel with L’Chaim. He sipped and said: “Vous êtes Americain, non?”

“Oui”

“Et l’origine juif?”

“Oui.”  That brought a big smile and a hearty hug.

The Scene at La Chope des Puces

So it doesn’t matter where you go, you’re always the sum of where you’ve been. The past is never lost, it just takes a different shape today.

The Hat Has Been Passed

©2018 Ron Scherl